Okay, you were promised-slash-warned that this guy would keep coming up (and he had to know that I couldn’t go long without dedicating a piece to him), so nobody should be surprised right now.

            One of my earliest memories with this word is from Tevye’s dream sequence in the musical film “Fiddler on the Roof”. (Haven’t seen this? You’re missing out. I get no kicks whatsoever from the depressing plight of mistreated Russian Jews, and I still highly recommend this musical, at least Part One. It’s like the law of musicals or something, have you noticed? – everything goes downhill after Intermission.) I’ll resist the temptation to go off on a tangent about all the fun lyrics throughout the show and hone in on the relevant bit where Tevye sings, “You must have heard wrong, Grandma – there’s no tailor.

            Thanks to “FotR”, I knew that a tailor was someone who sews clothes. As far as Childhood Me was concerned, that and the funny line in the song was all I needed to know on the subject. But a couple years ago, my perception of this word underwent some major overwriting, and that is thanks entirely to Edgwyn Wyle.

            As it happens, my “Wilderhark Tales” series was not originally intended to be a series at all. It started out as a single book – just one little fairytale, meant to stand alone. Then, a little while after its completion, I decided to write a sequel. That’s where Edgwyn came in, and that’s why there was a third book hot on Book Two’s heels: I wanted more of the tailor, and I wanted more of him yesterday.

            How come I love him so much? That’s a question I’d be glad to discuss for hours on end – (gushing about favorite characters: It’s like the Great Authorial Pastime) – and one which breeds some important follow-up questions for me to keep in mind: “How to keep it brief?”, “how to steer clear of all kinds of spoilers?” and “how to avoid embarrassing him too much?” Well, I’ll just stick to the basics. (And if/when that embarrasses him, tough. I’ve told him he’s too bloody modest.)

            Firstly, I love him because he is kind – “kind” in every sense of the adjective; warm-hearted, charitable, forbearing, the whole shebang. You’re not gonna find a nicer guy than him; a tie, maybe, but he’ll never be out-niced! Niceness by itself, however, can be frightfully dull. No one wants to put up with some saint sans personality. Happily, Edgwyn has personality going for him, too. He’s a goofball and a tease, with a recurrent laugh somewhat reminiscent of a villain’s in its rascally abandon. (Not quite “Muah-ha-ha-ha!”, but well on its way, sometimes.)

            Then there are the glimpses of intuitive emotional wisdom. (My friends and I call him The Heart-Smart One.) And his adorably sweet reactions to… well, most things. His sincerity, his selflessness, his strength… And I happen to think he’s pretty darn handsome, too (three words: Big and green-eyed), but that’s subjective and partially beside the point.

            All that, and he’s a brilliant tailor! So yeah, Edg, that’s why you just need to resign yourself to being talked about. A lot. …Especially once your series gets published, and everybody else loves you, too, muah-ha-ha-ha.

            In the mean-Wyle, I’ve had my gush, and now I’m all ears: Any other writers out there just itching to introduce me to the character they love above all others? Comment away! Edgwyn and I would be pleased to meet them!

6 thoughts on ““Tailor”

  1. Fiddler on the Roof was one of the first plays I’ve acted in, although I do agree it goes down hill after the intermission. I’ve loved the word talior since the song “Talior Made” on the first Colbie Caillat cd. And following suit, she also went down hill after that cd. Hmmm.

    • Perhaps an instance of tailor-hood is just too tough an act to follow? (:
      That’s awesome that you had the chance to participate in “Fiddler”! (Does anyone else bother to shorten this particular title, or am I just abbreviation-happy?) I’ve never seen the show’s stage version, but as it’s bound to have more or less the same songbook, I don’t suppose it can go far wrong…lol, until intermission.

      • I love the stage version of most musical-turned-movies, or the other way around. Footloose for example is sooooo much better when sung *and* danced to than just danced too. And the song book, is the same I beileve. it’s been a while since I’ve watched it.

      • Agreed on the musical love.
        I really enjoyed “Beauty and the Beast”, “The Lion King”, and “Shrek” translated to the stage.
        “The Music Man” started as a stage show, I believe, and the Robert Preston film version is an old fave of mine.
        Nothing like a story riddled with song-and-dance numbers!

      • I should be doing “Beauty and the Beast’ in a couple of months too. 🙂 I really, love that musical. My favorite Disney Princess, and my favorite music from Disney too. (Although I do love “Aladdin”.) Live shows always do more for me than those on the screen. I mean, it’s the only *real* 3D movie you can see.

      • Aladdin’s my boy!!! (Even kinda falls into the “thief” category. “Type” alert!) And as far as Disney Princesses are concerned, I *am* Belle. …except I wouldn’t have gone into the West Wing. I respect your privacy, Beast!
        “Beauty and the Beast” does have some amazing music. (Fabulous job, Menkin and Shore!) Oh, why couldn’t they have added “If I Can’t Love Her?” to the movie’s DVD release like they did “Human Again”? Beast’s solo is one of my faves! Used to get a huge kick out of “Maison de Lunes”, too. (:
        I’ll take a live show over a 3D film any day. Things popping off the screen give me a headache and, IMO, lack that *wow* factor to be found onstage.

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