How the Moon Turned Blue

You may or may not have noticed, but on the night of July 31st, we had ourselves a blue moon!

“A blue moon,” Ionquin repeated. “The second full moon in the same month?”

“Just so, Highness.”

— “The Sun’s Rival”

Sun's Rival Cover, front

And as I should very much hope my fans will have noticed, the concept of a blue moon played a vital part in Book Five of my Wilderhark Tales novellas. Although, as I observed in that selfsame book’s limited-edition, special prize of a character commentary…

Sadly, not even a Wilderhark blue moon is actually blue. *grumbles about disappointing misnomers*

“Why not?” Ionquin asks. “It’s your story. Your world. You could have made it blue.”

Could have, yes. But how would I justify it? Why should the moon’s light shine blue just because it’s the second full moon in a month? Just for coolness’ sake? That’s not Lumónd’s style. He’s not showy. Nor is he Gant-o’-the-Lute, whom I could totally see as a moon shining blue just because, 1) he could, and 2) blue.

“What about when the moon shines golden or red?” Laraspur asks. “What’s the reasoning behind that?”

Red could be him in a hideous temper over something. As for golden… perhaps he’s particularly pleased.

“So why not have him shine blue when he’s particularly sad?” says Ionquin.

Which just happens to be every time there’s a second full moon in a month?

“Maybe being full twice in a month makes him sad. Maybe he feels fat.”

Laraspur rolls her eyes. “Because goodness knows I shine blue whenever I feel fat. And anyway, the full of the month is when he’s at his most powerful. He’d hardly be at his saddest then.”

“Well then, maybe whenever he decides to don a particularly blue coat. You know the old saying, ‘The clothes make the moon.’”

“That saying is two seconds old and already past its prime.”

“Fine.” Ionquin throws up his hands in surrender. “No literally blue moons, sad but true.”

So glad I’ve got your consent.

All of which raises the question: Why in Wilderhark do they call it a “blue moon”??

In all honesty, until the recent night I went out to see our own world’s blue moon, I never wondered enough to figure it out. (How my brain manages to world-build at all is an utter mystery to me.) But once I did give the matter a few minutes’ concentrated thought – and a little light research led me to this possible reasoning behind our moon’s rare title of “blue” – the answer plunked into my lap like a fallen star.

First, some necessary backstory, as provided in a bit of Wilderhark flash fiction I wrote I-forget-how-long ago (and which almost made it into “The Sky-Child and Other Stories”, but then didn’t, ‘cause reasons). I may one day get around to sharing the full story, but for today’s purpose, all you need is the opening.

Once, not long after the world’s awakening, the Wind of the West asked a boon of the Moon.

“Your Majesty,” she said, with a bow that became a merry somersault ere its end. “The fruit of the steorrow trees in your grove enchant me. Might I have the pleasure of a single seed?”

In mild surprise, the night king of the Sky asked, “And what would a wind do with the seed of a star?”

“Why, plant it, of course,” the wind laughed, “and see what grows!”

The Moon knew the West Wind could mean no harm, for there was not a breath of malice in her essence. And so, as he had steorrow seeds to spare, he granted the gift, to the West Wind’s delight.

She promptly swallowed the diamond-like seed, planting it inside her own self; for so changeable was the form of a wind that it could spawn new life with any living thing. And in hardly any time at all, the West Wind bore her first child: A tree.

The silver sapling grew tall and translucent, like the Moon’s steorrows, and buds appeared all along its spreading branches. But instead of clusters of shining stars, the buds bloomed into flowers as sweet as their mother’s air. And from each blossom sprang a new creature, invisible to all eyes but a wind’s or the Moon’s.

To those few eyes that could see, the creatures were somewhat like in form to a being of Sky, but far smaller – tiny enough to fit in the palm of a hand, and slender as twigs. They flew as a wind flew, eyes shining like starlight, their voices like laughter, or air blowing through chimes.

“What are you, my little ones?” the West Wind asked her litter.

“We are the faer blewn,” they answered, the new name a breath as soft as a summer night breeze.

“And what does that mean?” she asked them.

They looked at one another and answered, “We’re not sure.”

So the wind went to the Moon for his insight on the matter; for, as the keeper of the steorrows and their fruit, he was likely to know better than she.

“They are star sprites,” he told her, upon hearing their name. “Givers of fortune.”

Our fortune?” the wind asked.

“Heavens, no,” said the Moon. “The fate of the Sky was set the day we rose. These sprites are lesser beings, their influence for beings even lesser than they. Their gift, I think,” he said, glancing downward toward the earth, “is for humanity.”

“How lovely!” said the wind, and blew kisses to all the tiny lives new born. “Then fly, little faery whatsits – do your work. And may the world for it better be!”

There. That Welken word: blewn.

I’m uncertain of the exact translation, but the Moon said it’s to do with fortune. And harken back to Book Five, where quoth a certain character, “I have also heard it said … that a night under the light of a blue moon will restore one afflicted with Moon Madness to their rightful senses.

A special moon said to cure Lunacy. I’d call that a fortunate thing, wouldn’t you? Enough so that the night Sky’s king might, in his native tongue, name his rare, healing second fullness in a month a “blewn Lumónd”. And somewhere along the line – the same somewhere in which that world’s humans developed the inaccurate habit of calling the heavens “sky” and the great forest “Wilderhark” – “blewn” came to be misspoken as a word more commonly understood by non-Welken speakers: “blue”.

Voila. One secret of the Moon down, while the rest of him remains the same beautiful enigma he’s ever been. ❤

#ISeeYou
#ISeeYou

“Wolves” or “The Whys and Were-fores Behind the Holloway Pack”

caged-blog-tour-button

Previously on Ever On Word, I reviewed yet-to-be-released urban fantasy Caged” by J.A. Belfield, the latest in a series following the exploits of the Holloway Pack werewolves. As of yesterday, “Caged” is on the market, and as of right now, the author is here among us as a part of her new novel’s blog tour! Read on for her answer to the frequently asked question, “Why ‘any of large several predatory canids (genus Canis) that live and hunt in packs and resemble the related dogs’?

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Why wolves? is a question I am asked a lot, and the answer is as simple as it is complex.
On the complex end of the scale: due to having dreamt of (not just wolves but) werewolves from an early age, I feel a connection to this species. I have dreamt of myself as wolf. Hunted as wolf. Raced as wolf. I’ve also witnessed werewolf changes in others—including in Mr. B—and been hunted by wolves. So, werewolves and wolves are a huge presence within my subconscious.

On the simpler end of the scale: wolves intrigue me. Or more to the point, the ability to become one, whilst still maintaining your humanity, intrigues me.

In my mind, it’s like the best of both worlds.

To have the ability to make conscious decisions not driven by instinctual urges and needs alone. To live amongst the human world, because humanity is a big part of who I am, so I’d be grieved to lose that completely in order to become something else.
But also, to know I could release my inner animal, the wild side of me that allows me to become one with nature, to soar amongst a forest I’ve claimed as my own, to experience the unity that comes from a pack hunt, to mate with the intensity that far too many marriages of today lack (maybe my belief that this is the way to go is why I’m still with Mr. B after 23 years), and to be so perceptive of the world around me as every sense is heightened, adding colour and flavour and sensation to the experience that might normally have gone amiss.

And all of this with the safety net of returning to my human life, and allowing the mundane to connect that less savage side of me to an existence I love just as much.

So, yes, the idea of this draws me, intrigues me, and excites me enough to want to investigate it further.

THIS is why I write wolves. This is also why I chose to write my wolves in the way I do. I didn’t want to head toward the monstrous beasts so prevailing in the dark urban fantasy or horror of today, but rather a creature with the ability to blend into their surroundings, whichever of their forms they took. And so, the Holloway Pack was born.

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J.A. Belfield
About J.A. Belfied:

One day, a character and scene popped into J. A. Belfield’s head, and she started controlling the little people inside her imagination, as though she were the puppet master and they her toys. Questions arose: What would happen if …? How would they react if …? Who would they meet if …?

Before she knew it, a singular scene had become an entire movie. The characters she controlled began to hold conversations. Their actions reflected the personalities she bestowed upon them. Within no time, they had a life, a lover, a foe, family … they had Become.

One day, she wrote down her thoughts. She’s yet to stop.

J. A. Belfield lives in Solihull, England, with her husband, two children, four cats and a dog. She writes paranormal romance, with a second love for urban fantasy.

She also book blogs over at Bookaroo-Ju.

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You can buy copies of “Caged” here:
Amazon
B&N
Kobo

Blue Moon cover, J.A. Belfield

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Haven’t read “Blue Moon (Holloway Pack #2)” yet? Well, you’re in luck, because during the “Caged” blog tour, Blue Moon” will be on sale for just $0.99! Nab a copy here:
Amazon
B&N
Kobo

There’s also a raffle going on!

a Rafflecopter giveaway

For more posts and interviews and giveaways and all that awesome book launch-type stuff, follow along on the “Caged” blog tour. And don’t forget to wave “hi” to J.A., for me!