Something Witchy This Way Comes (Will Scarlet’s Kiss & Tell)

“From the stage that brought you Will & Allyn’s Interactive Theatre,” Allyn-a-Dale proclaims before the curtain, “here’s Ever On Word’s original talk show, Will Scarlet’s Kiss & Tell.”

Danielle whipped up a logo for me, because she is awesome first class.

The curtain rises, the studio audience applauds, and Will Scarlet himself walks smiling and waving onto the bright, cozy set.

“Hullo, everyone! Let’s jump right into it, shall we?” Leading by example, he hops into his armchair. “Allyn, who is our guest character today?”

As the guest enters from the other side of the stage, Allyn says, “Our mutual author describes her thus:

Known by many names and none, a mysterious magic-worker slips seen and unseen throughout the lands and ages, her spellwork leaving a legacy of hearts broken and unified. She’s made her presence felt since the start of the Wilderhark Tales. What part will she play at story’s end?

“Welcome— um, you!” Will greets the woman now seated in the chair across from his own. “So glad you could join me. First things first – for the purposes of this interview, if nothing else, what do I even call you?”

The woman – her appearance neither fair nor foul, old nor young, eyes dark curtains drawn over the windows to the depths of her – looks unblinking at her host. “You may do as those before you have done and think of me simply as ‘the Anarchwitch’. The title was taken knowing it would be thus used.”

“But it’s not a terribly specific title, is it? There have been any number of anarchwitches harassing the Wilderhark world’s royals, over the years.”

She inclines her head in acknowledgment. “We were numerous, for a time. Now the order is long gone, and I the last remaining.” A wistful shake of the head. “You humans come and go so fast.”

Will raises his brows. “Are you not human, then? One of the Welkens, perhaps? Or another of those what-do-you-call-‘ems – what Princess Liliavaine in Book Six of the series labeled ‘more-than-men’?”

“More, certainly. But what I am is not mine to tell. A secret’s keeping is mine. Its handing away,” she says dryly, “our author’s.”

“Heh, I expect that’s generally so. Still, I hope you’ll indulge me in sharing a few details that never made it onto the page. For example, there’s your relationship with Ursula, sometime queen of Denebdeor. You didn’t seem to like her particularly much, and yet you twice—”

“Thrice,” the Anarchwitch calmly cuts across him.

“Pardon?”

“Three times I gave her aid.”

Will tallies on his fingers. “The baby thing in ‘Stone Kingdom’, the titular Seventh Spell…” He frowns. “You don’t seriously think of the Tipsilvren disaster as helping, do you?”

The woman’s bearing hardens. “It led her to her heart’s other half – and what’s more, returned him to himself. Were it not for me, he would have been under the careless curse of another for the whole of his days, and Denebdeor forever fallen into ruin.” She relaxes a fraction back into her seat. “I cast my first spell neither against Ursula nor for her alone, but for the betterment of many. Thus have my powers been ever used.”

“Not everyone sees it that way. I hear you caught some reader flak for your actions in ‘The Sky-Child’. Something about your curse on Viralei coming across as over-harsh and emotionally manipulative?”

“Over-harsh?” The witch blinks for the first time since arrival. “She was rude. Ursula’s disrespect to me brought her first curse upon her, and no shortage of death with it. Her second lack of manners provoked her kingdom’s century-long petrifaction. Why, then, would I not see fit to punish one whose words to her would-be lover were not only harsh, but cruel? I will not suffer insults from entitled royals, whether the insult be aimed at me, a common man, or a minstrel as far from common as uncommon can be.

“As for emotional manipulation…” She waves a dismissive hand. “’Twas no love spell I cast. I only held her immobile that she might look at the man of music long enough to see whether his inner song called to hers or not. She was free to reject him again once he’d effected her rescue. That she did not is no doing of mine.”

“For someone not in the business of love spells,” Will observes, “you sure have a knack for playing matchmaker. You ever think about scaring up a true love for yourself?”

“It… has crossed my mind.” Her gaze drifts away. “But for all that the stories in which I’ve played a part may seem to argue otherwise, true love is a rather rare thing. Surely you can see why. Think of the string of improbabilities so often required to bring the lovers together. To connect with one’s heart-match alone, unaided by someone with the advantage of an outside perspective, is but one chance in thousands. I came as close to love as I ever will, in this world, and it was not close enough.”

“Oh.” Will deflates, despondent. “I am so sorry. That’s… that blows.”

A smile-like shadow flits over the woman’s face. “Winds blow, Scarlet. An example of what is being what is. I am less concerned with ‘is’ or ‘was’ than ‘will be’. You have a final question for me, do you not?”

The corners of Will’s mouth thrust upward into his smile’s return. “Like you’d need any special magic to know that. Tell me, Anarchwitch, what is our author Danielle’s biggest, deepest, darkest, most mortifying and/or hilarious secret?” The smile beams brighter in defiance of its earlier dim. “Or would you rather kiss me?”

“I have told you: A secret’s keeping is mine. You’ll learn no more from any words I speak. As for what a kiss may tell…” Her eyes focus past Will, beyond the camera’s reach. “That knowledge is for him.”

Will turns in surprise. “Allyn??”

Allyn’s voice rises gaspward. “Me?”

The witch rises to her feet, beckoning. “Come forward, child, and hear what I would say.”

In wordless uncertainty, Allyn crosses the stage to stand before her. Just as silent, her hand guiding his chin’s angle higher, she leans in to touch her lips to his, the kiss lasting but a moment, yet lingering outside of time. Before Allyn’s closed eyes flutter open, the Anarchwitch is gone, vanished into the air like a breath released.

“Well?” Will demands, when Allyn stands speechless. “What did her kiss have to say for itself?”

Allyn’s head half-turns Will’s way, the eyes in his lashes’ shadows revealing as little as any witch. “It sounded like, ‘Good luck go with you.’”

“…Huh,” Will says at last. “If that isn’t just about as enigmatic as it gets. What do you think, Allyn? Are you up to giving the word from our sponsor?”

“Of course,” says Allyn, the shake of his head more an attempt to clear it than a refusal of duty. “Today’s Kiss & Tell segment was brought to you by the conclusion of Danielle E. Shipley’s Wilderhark Tales novellas, ‘The Story’s End’ – its launch celebration going on all this week on Facebook:

Story's End Cover, gallery size

For Gant-o’-the-Lute, “ever after” has been less than happy. With the last of Carillon’s charm over him gone, the minstrel-king puts royalty behind him in pursuit of the music he once knew and the lifelong dream he let slip through his fingers. But dark whispers on the wind warn that time is running out – not only for Lute and the apprentice in his shadow, but the whole of earth and Sky.

“Thank you, Allyn,” Will says. “Thanks to you as well, Anarchwitch, wherever you’ve disappeared to. And thank you, my beautiful audience. Remember, authors – if your characters would like to appear on the show, simply follow the guidelines provided here, and we’ll get them on the schedule. (And seriously? Stop by the ‘Story’s End’ party, if you get the chance. And/or take advantage of the insane price-drop on Books 1 – 6.5 of The Wilderhark Tales on Kindle. 99 cents a pop, man. Take it from a thief – that’s a steal.) ‘Til next time, lovelies: Scarlet out!”

Wilderhark Series, 99 cents
Click the pic for the series page on my website; convenient sales links await. ^_^

Guest-o’-the-Lute (Will Scarlet’s Kiss & Tell)

“From the stage that brought you Will & Allyn’s Interactive Theatre,” Allyn-a-Dale proclaims before the curtain, “here’s Ever On Word’s original talk show, Will Scarlet’s Kiss & Tell.”

Danielle whipped up a logo for me, because she is awesome first class.

The curtain rises, the studio audience applauds, and Will Scarlet himself walks smiling and waving onto the bright, cozy set.

“Hullo, everyone! Let’s jump right into it, shall we?” Leading by example, he hops into his armchair. “Allyn, who is our guest character today?”

As the guest enters from the other side of the stage, Allyn says, “He quite quotably described himself in the fourth of the Wilderhark Tales novellas thus:

I am called Gant-o’-the-Lute, by most. Lute only, by my friends. Jackillen, by my dear beloved. Minstrel extraordinaire, by anyone with any musical taste to speak of. And far less pleasant things by those who’ve had occasion to meet more than their match in myself in this field or that and were inclined to be rather sore sports about it.

“Welcome, Lute!” Will greets the minstrel in blue now seated in the chair across from his own. “So glad you could join me. First things first – what are your thoughts regarding the multiple people who have seen you on the cover of your latest book and assumed it’s a girl?”

Off-camera, Allyn buries his face in his hands. Lute’s eyes, meanwhile, flash a bit over-bright, but the fingers softly tickling the strings of the lute in his lap never tense. “It’s bothersome,” he says coolly, “but I suppose they are not wholly to be blamed. I was an uncommonly pretty lad.”

“An aesthetic you’ve yet to outgrow. Now, though I just now called it ‘your book’, the fact is that it contains a number of stories, only three of which feature you. Tell us a bit about those?”

“Certainly. Chief among them is the titular tale, ‘The Sky-Child’. It follows me from my infancy through the daring escapade that would later land me in the middle of the infamous Seventh Spell – all of it excellent, though in my opinion, it’s not ‘til I make the transition from child to minstrel that the story really starts to sing. Somewhat literally.” He smiles. “The narrative is interspersed with original songs.

“The second story of which I’m a part is a companion to ‘The Seventh Spell’, offering perspectives on the adventure not seen during Book Three of The Wilderhark Tales. And the third, the collection’s finale, serves to echo the poem at the book’s opening, as well as matters touched upon in ‘The Sky-Child’. Prepare to shed tears, Scarlet; I happen to know you’re an easy cry.”

The corner of Will’s mouth crooks upward. “I’m an easy lot of things. A slight switching of gears: Of the stories in the book that don’t include you, which is your favorite and why?”

“Hmm,” Lute hums, his inner eye skimming the table of contents. “‘Skie Welduwark ’.”

Will blinks. “Was that English?”

“Welken, actually, as is the story – an account of the genesis of earth and Sky. I’d have given much to be there,” he says wistfully. “How marvelous would it have been to watch the world first awake? Oh, the songs of it I’d sing!”

“And well worth hearing, they would be,” Will concedes. “One last thing I’d like to hear from you, if you please. Tell me, Lute, what is our mutual author’s biggest, deepest, darkest, most mortifying and/or hilarious secret?” He bats his lashes. “Or would you rather kiss me?”

Lute’s laugh rings ‘round the stage. “Now, that would set you crying. I’m too much for you, Will Scarlet, and I think you know it well. That leaves secrets to tell. What shall I disclose?… Mm, not the most mortifying.” He shakes his head. “She’d not soon forgive me, and I’ve need of her yet. A deep secret, then: As an author, there are truths of her to be found in near every character she writes. But of all those who populate her Wilderhark Tales – and though I would have once been mortified to admit this is so – I believe she is most like me. Not in musical skill, mind you, or in most skills at all; she’s far beneath me there. Yet in spirit, we have much in common. Far too much. Though she’s got it the worse,” he says, his smile as bright and sharp as sunlight, “for I less often bother to play at what you call ‘being nice’.”

“So I’ve had opportunity to observe,” says Will. “Hey, Allyn, how ‘bout a quick word from our sponsor?”

“Today’s Kiss & Tell segment,” says Allyn, “was brought to you by Danielle E. Shipley’s The Sky-Child and Other Stories (A Wilderhark Tales Collection)’, Book 6.5 in the series.

Sky-Child Cover, front 02

Born into a world his heart knows as beneath him, an extraordinary boy becomes a man of music, hopeful that someday he’ll find a way higher.

As the first day dawns, a world comes awake, order and disorder striking a dangerous balance.

Under the stars, a princess and tailor trade age-old lore, little dreaming of the future that could trap them in the past.

All of it in, around, and far above the timeless trees of Wilderhark, the forest whose secrets reveal themselves slowly, if ever at all.

Tales of beginnings. Tales of quests for belonging. Most of all, tales of true love.

Once upon a time, you knew something of Wilderhark’s tales. Now for the stories that fall in between.

“Thank you, Allyn,” says Will. “Thanks to you as well, Gant-o’-the-Lute. And thank you, my beautiful audience. Remember, authors – if your characters would like to appear on the show, simply follow the guidelines provided here, and we’ll get them on the schedule. ‘Til next time, lovelies: Scarlet out!”

Book Spine Poetry Prophecy

Word on the ‘Net is April’s been National Poetry Month – i.e., the perfect excuse to finally get around to posting this book spine poem I composed back in February, inspired as I was by the Alexa Loves Books-hosted 2015 Book Blogger Love-a-Thon.

Some of you may recall the last time I shared such a poem (during the 2014 Love-a-Thon, as it happens.) Proud as I was of that piece of art, I do believe I like this one even better. Probably because it strikes me as sounding like some epic, ancient prophecy. Complete with rhymes. ^o^

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Spine Poetry Prophecy, Line 1

One more day on the Isle of Sound and Wonder inspired the Seventh Spell:

Spine Poetry Prophecy, Line 2

Transparent ink. The violet hour. The toll of another bell.

Spine Poetry Prophecy, Line 3

The Song Caster unhinged the door in the mountain; splintered the spirit war.

Spine Poetry Prophecy, Line 4

Vicious, marvelous spirit’s end – mistborn legends and lore.

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This lyrical omen brought to you by…

One More Day by L.S. Murphy and others (including yours truly) – available here

On the Isle of Sound and Wonder by Alyson Grauer – my review here

Inspired by Danielle E. Shipley – available here

The Seventh Spell (Book Three of The Wilderhark Tales) by Danielle E. Shipley – available here

Transparent by Natalie Whipple – my review here

Ink (Paper Gods #1) by Amanda Sun – found here on Goodreads

The Violet Hour (The Violet Hour #1) by Whitney A. Miller – found here on Goodreads

The Toll of Another Bell: A Fantasy Anthology by yours truly and others – available here

The Song Caster (Book Four of The Wilderhark Tales) by Danielle E. Shipley – available here

Unhinged (Splintered #2) by A.G. Howard – my review here

The Door in the Mountain by Caitlin Sweet – my review here

Splintered (Splintered #1) by A.G. Howard – my review here

The Spirit War (Eli Monpress #4) by Rachel Aaron – my review here

Vicious by V.E. Schwab – my review here

Marvelous (The Books of Marvella #1) by Travis Thrasher – found here on Goodreads

Spirit’s End (Eli Monpress #5) by Rachel Aaron – my review here

Mistborn: The Final Empire by Brandon Sanderson – found here on Goodreads

Legends and Lore: An Anthology of Mythic Proportions by yours truly and others – available here

Got any cool book spine poems of your own – oracular or otherwise? I do hope you’ll share!

Why the Phrase “Strong Female Heroine” Needs to Die

(Also published on the blog of Luna Station Quarterly.)

Short answer: Because “female heroine”, guys. Think about it. Wince with me.

Long answer: Expressed pretty well in this oldie*-but-good article.

*Several months is probably a lot longer in Internet years, right?

Swan Princess, What Else Is There
Derek/Readers: “What? You’re all I ever wanted. You’re beauti– *cough* /strong/!” ~ Odette/Female Character: “Thank you. But what else?” ~ Derek/Readers: “What else?” ~ Odette/Female Character: “Is strength all that matters to you?” ~ Derek/Readers: “What else /is/ there?” ~ Rogers/Me: *FAIL*

Not My Type.

Maybe the kickass, badass, hardass, [insert any other ***appropriate*** “ass” term here] heroine really resonates with/appeals to some people. Well enough. Just don’t give me the stink eye if “strong female heroine lead” isn’t that high on my list of things that excite me about a book. Tell me she’s a British thief? I’m all ears. Tell me she’s strong? Meh.

The kind of heroines I tend to most enjoy and relate to (I realized during my Love-a-Thon interview with Mara of the Book Marauder blog) don’t kick butt for a living. They’re goofy (not like “lol, look at me, I think I’m so awkward…”, but like actually kind of insane), dramatic, maybe a bit stuck on themselves. They sulk, they stew, they hurt and maybe don’t bother to hide it. They love their friends, and hate their friends, and lament to their friends that they have no friends. Sometimes they do things I wish I could do, sometimes they do things I would totally do, sometimes they do things I cringe at them and/or me for having done. Maybe “heroine”s not even always the word for these girls. But they make me laugh. They make me nod and sigh and ache. They make me want to shout at or shake them. I feel like we’d understand one another. I don’t know about females in general, but feeling understood means much to me.

Could You Be More Specific?

What does everyone even mean by “strong”? Because the more I see it slapped with seeming carelessness onto the front of the words “female lead/character/please, Lord, not ‘heroine’, not again”, the less weight it carries with me. It’s like people use it to avoid having to actually think about how to describe the character. Laaaame! Here, let me show you how it’s done. I’ll use some of the leading ladies in my own writing as examples.

Sula (“The Swan Prince”, “The Seventh Spell”) = surly, resistant, mistrustful, thoughtless

Rosalba (“The Stone Kingdom”, “The Seventh Spell”) = gracious, straightforward, quick-tempered, practical

Annabelle (“Inspired”) = imaginative, sensitive, excitable, immature

Uri (“Inspired”) = cynical, antisocial, pious, mouthy

You see what I did there? A well-rounded girl is more than “strong”; more, even, than “feisty” and “snarky”, two other go-to adjectives for female characters. If you call my characters strong, I’ll assume you meant it as a compliment and will take it as such. But if you label my characters something a little more unique to who they are as individuals, I will be all the happier.

Just, whatever you do, please: Never, EVER call them “strong female heroines”. My soul functions better when little pieces of it aren’t dying.

A question for you, now, readers: Who are some of your favorite fictional females, and what non-“strong” words would you use to describe them? 

Related article: “Challenging the Expectation of YA Characters as ‘Role Models’ for Girls” by Sarah Ockler

“Home is Behind, the World Ahead” (Fairy Tale Fortnight)

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In the spirit of Fairy Tale Fortnight (brought to you by The Book Rat and A Backwards Story) and in anticipation of the June release of my fourth Wilderhark Tale, “The Song Caster”, I’ve been sharing excerpts from a never-before-released (and not entirely finished, yet) story chronicling the life of our minstrel in blue prior to his introduction in Wilderhark Tale #3. Part 1 is linked here, Part 2 here, Part 3 here, Part 4 here, and below is the final installment (until the rest of the story releases in full, someday). Enjoy!

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Three harvests, the Gant family shared together. But by the time the season for the fourth had arrived, and after some weeks of illness, Jeromey Gant had died. And Jackillen was a little surprised at how terribly sorry he felt. After all, he had lived far fewer years with the man than he had without him; surely the thought of things returning to the way they had been before was not such an unpleasant one?…

But to Jackillen’s further regret, things did not return to the way they had been, for Wendara refused to give up her beloved Jeromey’s farm. She stubbornly struggled with all she had to bring in the harvest without the help of her late husband, and almost as little help from her son, who developed the maddening habit of disappearing whenever there was a task in want of tending to (which, on a farm, there always was). Many a time had Wendara begun to outline a list of things to be done, glanced away for the merest moment, and looked back to find that she was talking to an empty room. Many a time would she pause to rest in the middle of a long, hot day of toil, and turn her face into a cool refreshing breath of a breeze, only to realize with a jolt of anger that she could detect the faraway sounds of an all-too-familiar duet of voice and plucked strings, carried on the wind.

“What kind of a son are you?!” Wendara railed, when at last she had had enough. “What kind of a son leaves his widowed mother with only the scantest of farming experience to handle everything on her own?! You haven’t lifted a finger to help me since the harvest began, and now look!” She jabbed a finger at the window. “Winter’s first snowfall, and only half the crops brought in – if that! – and no thanks at all to you, you worthless, selfish, lazy boy!”

“Well, that’s a fine way to talk,” said Jackillen, his expression wounded. “Worthless, selfish, and lazy, she says… It’s not that I’m lazy; more like gone-half-crazy, just sitting around this dull town in the Down…”

“Don’t start that again!” Wendara shouted. “I’ve heard enough of your complaints about our home here, and MORE than enough of that absurd, sing-song manner of speech!”

Jackillen’s eyes flashed as he strove to keep his annoyance in check. “There is nothing absurd in attempting to word things in ways that are pleasing for ears to hear. And as for your having to handle everything on your own, that is hardly necessary. It’s not as if I’m the only able-bodied young man in the vicinity. The most able-bodied, most likely, but not the only. Why don’t you hire a fellow or two with naught better to do than root ‘round in the ground to assist you in doing just that?”

“Hire them with what?” Wendara demanded. “Where do you think a farming family’s money comes from, a goose laying gold in the barn?! We need produce to sell, Jackillen; produce from the surplus of what we harvest for ourselves. But because you could not be bothered to help me, we shall be fortunate to have just barely enough to last us through the year and put next year’s seed in the ground, with nothing to spare for sale. So unless you’re planning to sell that blasted lute of yours, which I am seriously of half-a-mind to see that you do…”

“What, sell my lute?” said Jackillen, brows lifted in surprise. “Oh, indeed, no – that would be most foolish. There is far more money to be gotten from keeping my instrument than from selling it. You go ahead and hire a boy or two to assist with the farm, come spring; promise them wages at the end of the year, for by then we will have more than enough to pay.”

Left as she was with few options other than to place her trust in her son, thus did Wendara do. And on the Forespring day when the snows first melted, this selfsame son – a boy-turned-man clothed in a commoner’s finery made all of the blues of the sky he loved so well, his lute and a traveler’s staff crisscrossed upon his back – half-walked, half-bounded away from the Down and the farm and his mother and the Jackillen Gant he’d been. For Jackillen Gant, though a wonderful name for an ordinary person, was no sort of name for a professional minstrel – particularly a minstrel as far from ordinary as Jackillen was sure he could not help but be.

A minstrel’s name was not a thing to be taken lightly, Jackillen knew; for it was that which first proclaimed to the world exactly who the minstrel was, or thought he was, which could well end up being truer than the truth, when all was said and done. Like Ioan-o’-the-North, a minstrel’s name ought to tell from whence the minstrel came, whether regarding literal geography, or no more nor less than the place inside where the songster’s fount of music sprang. A minstrel’s name, in short, bared a minstrel’s heart, and the home where the heart could be found. In Jackillen’s case, his heart was with music, and his home with the man who had given it to him: The music of a name in full, the music of a father’s love, and – perhaps most precious of them all – the music of his dearly cherished lute. In light of these things, Jackillen’s minstrel name practically chose itself. So it was that when Jackillen Gant, aged only eighteen, stepped out into the world as a minstrel, he did so as Gant-o’-the-Lute.

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Song Caster Cover, resize

And thus do the minstrel’s adventures begin, to be continued in “The Song Caster (Book Four of The Wilderhark Tales)”! The book’s slated to launch on June 24th, but if you’re game to read and review the tale early, drop me a line via my contact page and I’ll send you a PDF of the tale in all its practically completed glory!

That’s a wrap for Ever On Word’s part in Fairy Tale Fortnight. But forget yet not, there’s still a little time left in my giveaway! Check out my feature on A Backwards Story and/or my interview with The Book Rat and enter to win a free paperback of Book Three of The Wilderhark Tales, “The Seventh Spell!

The Missing Note (Fairy Tale Fortnight)

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In the spirit of Fairy Tale Fortnight (brought to you by The Book Rat and A Backwards Story) and in anticipation of the June release of my fourth Wilderhark Tale, “The Song Caster”, I’m sharing excerpts from a never-before-released (and not entirely finished, yet) story chronicling the life of our minstrel in blue prior to his introduction in Wilderhark Tale #3. Part 1 is linked here, Part 2 here, Part 3 here, and Part 4 is below. Enjoy!

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Like many a man before him who’d laid eyes on Wendara, Jeromey Gant found himself utterly infatuated – a fact which Wendara’s practiced eye noted at once. But, unlike those many men before him, when coyly invited to act upon this infatuation in the usual style, he evenly refused. Wendara, unused to the word “no”, was taken aback, and wondered if she had been mistaken in thinking he desired her.

But, “No,” he said again, “my desire is irrefutably for you. And when you have grown weary of your wandering, you have only to return to me, and I will have you, and no other.”

Wendara scarcely knew what to think. But following the meeting, as the traveling band put weeks and miles between themselves and that otherwise inconsequential stop in modest Emmett Down, kingdom of Anuranda, her thoughts turned with increasing frequency to Jeromey; to the man who had seemed to want her more than any man had before, and had yet refused to claim her. …And by so doing, Wendara realized, had quietly claimed her heart.

Jackillen was surprised by Wendara’s sudden insistence that the two of them leave the caravan and retrace their steps to Emmett Down. In all the fourteen years of his life, his mother had never expressed an interest in going back to any of her men friends before – for that matter, from what he understood, this man and his mother had never gotten very well acquainted at all. What, then, Jackillen asked himself, when he first saw the man for himself, was so special about this Jeromey Gant?

He was not especially handsome, Jackillen thought critically. He was not wealthy or important; like almost every other resident of the Down, he was naught but a simple farmer. And yet the look the man and his mother shared when they were reunited was unmistakably one of love.

Jackillen wasn’t altogether sure that he approved of any of this.

He turned his back on the courtship, focusing all of his attention on using a whittling knife to try to coax a lute out of a piece of wood. Frustratingly, Jackillen’s many talents did not include handicrafts; and between his lamentable lack of lute and the peculiar behavior of his mother and her new reason for living, Jackillen’s mood darkened by the day.

Then came the morning that Jeromey presented Jackillen with an exquisitely-wrought lute, shining with newness, almost audibly calling to Jackillen to be played.

“There’s sure to have been a less expensive way to buy my affection,” Jackillen said brusquely, for if the price of a well-made lute were in any way attainable, he would have purchased his own long ago.

“That may well be,” Jeromey said, expression placid behind his cover of close-trimmed brown beard. “But I did not set out to buy your affection. I set out to buy you a lute. As for your good favor, you may continue to bestow or withhold it as you choose. It will not cause me to love your mother or you any less.”

“Love me?” said Jackillen, looking at Jeromey in sharp surprise. “Why should you love me?” Why should this stranger care for him when no one else would bother?

“Because I will soon marry your mother, making you my son.”

“Stepson,” Jackillen corrected.

“Son,” Jeromey repeated gently. “I mean to adopt you as my own, Jackillen. I will be your father, and you will have my name.”

“Gant…” Jackillen murmured. “Jackillen Gant…” His eyes widened, mouth drawn into a brilliant smile. That was it! – the missing note in the melody of his name! And this man had given it to him – given him a name complete, and a lute dearly-bought, and a third thing unasked for: Love.

Jackillen regarded the man before him with a new curiosity. He didn’t understand this Jeromey Gant, not one little bit. But, he reasoned, he now had a family name and a lute and a father; wanting understanding on top of all of that would just be greedy.

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More of the pre-“Song Caster” tale to come as Fairy Tale Fortnight continues!

And two things to remember: One, I’ve got a giveaway going on! Check out my feature on A Backwards Story and/or my interview with The Book Rat and enter to win a free paperback of Book Three of The Wilderhark Tales, “The Seventh Spell!

Two, I’m looking for advance readers! If you’re willing to read and review “The Song Caster (Book Four of The Wilderhark Tales)” ahead of its scheduled release on June 24th, drop me a line via my contact page and I’ll send you a PDF of the tale in all its practically completed glory!

Song Caster Cover, resize

Jackillen and the Man-o’-Music (Fairy Tale Fortnight)

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In the spirit of Fairy Tale Fortnight (brought to you by The Book Rat and A Backwards Story) and in anticipation of the June release of my fourth Wilderhark Tale, “The Song Caster”, I’m sharing excerpts from a never-before-released (and not entirely finished, yet) story chronicling the life of our minstrel in blue prior to his introduction in Wilderhark Tale #3. Part 1 is linked here, Part 2 here, and Part 3 is below. Enjoy!

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Now that Jackillen seemed determined to remain underfoot during the traveling band’s stopovers – or worse, to wander off away from the towns and villages on his own – his elders lost little time in giving the boy something to keep him safely occupied.

“You’re young, but bright,” he was told by Yaradin, the caravan’s head. “We might as well get you started in learning a useful trade.”

“All right.” Jackillen nodded willingly. “I want to be a tumbler like Salomar. And a juggler like Keran. And a wrestler and stave fighter like Adu. And I want to bend myself into funny shapes like Jilal, and throw my voice like Dulai, and dance like Mother, and—”

“Whoa, now, slow down, little man,” Yaradin chuckled. “You can’t do everything.”

To which Jackillen answered matter-of-factly, “Yes I can.”

And he could. By the age of twelve, he could turn cartwheels on a high-wire while juggling handkerchiefs. He could knock down an opponent more than twice his size without missing a step in a jig. And he could strike up the song for that jig himself on any instrument his band could offer – drums and bells, pipes and flutes, and anything with strings, each mastered more quickly than the last as natural talent and diligence combined to match his skill level to that of his inborn confidence.

Jackillen had reached the point where he could indeed do everything his fellow entertainers could, and more. And it was about then he concluded that it was not enough.

This conclusion was drawn more quickly than it might otherwise have been due to another chance meeting in another town and land – this time in Chandling Town, kingdom of Lucerian. It was there that Jackillen – while off gallivanting by his lonesome, as he was wont to do – heard on the wind a most pleasant sort of sound: Notes of song, tripping lightly in a musical cascade; produced by some manner of stringed instrument, Jackillen wagered, though not one with which his ears were familiar. Intrigued, he followed the sound to its source, joining the small number of others who had paused in their doings to hear the musician play.

Jackillen waited for the melody to reach its end – even waited with something close to patience, placated as he was by the song – before he approached the musician and asked, “Your pardon, good sir, but what is the name of your instrument?”

“A lute, of course,” the fellow replied. “And it’s no good asking to touch it,” he added, knowing what it meant when young boys came around inquiring as to the tools of his trade. “No one touches this lute but Ioan-o’-the-North, ye ken?”

“Ioan-o’-the-North…” Jackillen repeated. An odd sort of name, but pleasing to say; he relished the rhythm of it. “Well, surely you might make an exception for me? I am something of a musician myself, you see, and know how to handle an instrument with all due care, I assure you.”

But the lute-bearer shook his head. “Nothing doing, lad. First rule of the minstrels: Entrust your bread-and-butter instrument to no one’s hand but your own.”

Well, what was to be done? Short of taking the lute by devious means or straightforward violence, nothing at all. And while of course Jackillen could have effectively employed either method, the notion of parting a minstrel with his music did not sit well with him. So he merely sighed, in the manner of one expressing grave disappointment in a world he had really expected so much better of, and went on his way.

The fact that he went quietly, however, did not mean that he had put the encounter out of mind. On the contrary, he sulked about it for the rest of the day; well into the night, too, for he seemed to feel the need to sleep only one night in three, and this was not one such night. And in the morning, just as soon as his mother appeared to be waking or close to it, Jackillen demanded, “Why can I not have a family name?”

“Mm— what?” said Wendara, who had actually been farther from waking than her son might have wished.

“I met a minstrel yesterday,” Jackillen said impatiently. “A minstrel with a lute – a lovely lute, with a lovely sound, and you don’t even know how dearly I wished to play it, though he wouldn’t let me; most vexing. Ioan-o’-the-North, he called himself – have you ever heard such a name? A name like music; just trips right off the tongue. Not like Jackillen. Do you hear it? How incomplete it sounds, just Jackillen? It’s missing a beat, Mother! A waltz stopped too soon! – no resolution! Resolution I might have had if only I had a second name. So why can I not have a family name?”

“Jackillen, don’t be ridiculous,” his mother said testily. “You’re quite old enough to know why we have no family name.”

“Old enough to know it, but not to understand it,” Jackillen muttered, arms crossed. “Whether he who fathered me wanted to behave like a decent human being or not, the least he might have done was give me a name. Or didn’t he have one to give?”

Wendara shrugged irritably. “Not one that he ever spoke to me; so perhaps he had no such name after all.”

Wonderful; meaning that Jackillen’s father, whoever he was, was either a royal, an illegitimate, or a woman. Jackillen decided that he must have been a royal.

And what’s that leave me?, he thought, with another sigh of disappointment for the world. Unclaimed royalty with an incomplete name. Better a man-o’-music with a name to match than a king.

Two things Jackillen wanted more than anything, and saw little hope of having: A beautiful lute like Ioan-o’-the-North’s, and a musical name worthy of it. And as fate would have it, there would one day come a man who would give him both.

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More of the pre-“Song Caster” tale to come as Fairy Tale Fortnight continues!

And two things to remember: One, I’ve got a giveaway going on! Check out my feature on A Backwards Story and enter to win a free paperback of Book Three of The Wilderhark Tales, “The Seventh Spell”!

Two, I’m looking for advance readers! If you’re willing to read and review “The Song Caster (Book Four of The Wilderhark Tales)” ahead of its scheduled release on June 24th, drop me a line via my contact page and I’ll send you a PDF of the tale in all its practically completed glory!

Song Caster Cover, front

Less Than a Nobody (Fairy Tale Fortnight)

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In the spirit of Fairy Tale Fortnight (brought to you by The Book Rat and A Backwards Story) and in anticipation of the June release of my fourth Wilderhark Tale, “The Song Caster”, I’m sharing excerpts from a never-before-released (and not entirely finished, yet) story chronicling the life of our minstrel in blue prior to his introduction in Wilderhark Tale #3. Part 1 is linked here, and Part 2 is below. Enjoy!

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Jackillen’s name had not always irked him. He had lived in ignorance of there being anything amiss for five blissful years. But this era reached its end on the day that the islander caravan made a stop at the small village of Burich, kingdom of Quist. Whilst the grownups engaged in whatever tiresome things that grownups will do, Jackillen capered off in search of playmates. He quickly fell in with a collection of young fellows who were near his own age, if not particularly near his own size; though in coloring the two could not have been much more dissimilar, Jackillen had inherited his mother’s diminutive frame.

“Hallo, chaps!” he called ahead of him, blithely. “Want to hold races?”

To this proposal, the other boys agreed wholeheartedly, one among them declaring, “I’ll go first! It’ll be me against you, Ardric. Then Terril against Lennard, and Earryn against… hey, what’s your name?” he demanded, pointing at the tiny stranger.

“Jackillen,” he replied.

“Jackillen who?”

Jackillen’s eyes – a bright green-blue color, ever-changing depending on how you happened to be looking at them, and they at you, at the time – blinked in surprise at the question. “Jackillen nothing. Just Jackillen. Jackillen of the islander band, if you like.”

“What, no family name?” asked the boy called Ardric.

“I suppose not,” said Jackillen, shrugging.

“But you’ve got to have a family name,” spoke the first boy. “Everybody’s got one. It’s Barr, for me; Rowland Barr. And Harritt for Ardric, Stand for Lennard…”

“Mofford, for us!” piped up Earryn and Terril.

“The only reason not to have a family name is if you’re royalty,” said Lennard.

“Which I’m not,” said Jackillen.

“Or if you’re a girl,” added Rowland.

“Which I hope I’m not,” laughed Jackillen.

“Or if you’re illegitimate,” said Ardric.

“Are those all the reasons?” Jackillen asked. “No others?”

The boys nodded.

“Well then,” he deduced, “I suppose that I must be illegitimate. What does that mean? Is it better than royalty, or worse than a girl?”

“It’s worse than anything,” said Ardric. “It means that your mother is cheap, and your father is negligent, and you basically amount to less than a nobody.”

At that, Jackillen’s eyes flashed like blue-green flame. “I am not a nobody!”

“I know.” Ardric nodded. “You’re less than one.”

In less time than it takes to relate it, Ardric was sitting hard on the ground, bawling and holding a bloody nose, and Jackillen was well on his way back to his caravan, having decided that he had no further use for senseless children.

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More of the pre-“Song Caster” tale to come as Fairy Tale Fortnight continues!

And two things to remember: One, I’ve got a giveaway going on! Check out my feature on A Backwards Story and/or my interview with The Book Rat and enter to win a free paperback of Book Three of The Wilderhark Tales, “The Seventh Spell”!

Two, I’m looking for advance readers! If you’re willing to read and review “The Song Caster (Book Four of The Wilderhark Tales)” ahead of its scheduled release on June 24th, drop me a line via my contact page and I’ll send you a PDF of the tale in all its practically completed glory!

Song Caster Cover, front

In Which Jackillen Enters the World (Fairy Tale Fortnight)

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In the spirit of Fairy Tale Fortnight (brought to you by The Book Rat and A Backwards Story) and in anticipation of the June release of my fourth Wilderhark Tale, “The Song Caster”, I’m sharing excerpts from a never-before-released (and not entirely finished, yet) story chronicling the life of our minstrel in blue prior to his introduction in Wilderhark Tale #3. Here’s Part 1. Enjoy!

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Wendara Gant was not the sort of woman who could easily keep still. So much had this proven the case, that it was not until she had been a woman for a quite unrespectable number of years that Wendara became Wendara Gant in the first place. For perhaps it should be clarified that, when it was said that she could not easily keep still, it was meant as having less to do with her inclination to rove from town to town, and kingdom to kingdom, and hill to plain and back again, and more to do with her predisposition to flit from man to man, and mate to mate, and fellow to fool without any plans made to ever look back again.

It did not help that Wendara was so alluring. It may be that she would not have been seen as particularly so, had she remained in her birthlands – the desert isles of the Far East – where females of her kind were commonplace. But she had not remained there, having instead, while in her early teens, traveled oversea to the Great Land with other islanders of a sort who were not easily kept still. And the females of the Great Land were little like Wendara, causing the males of that place to look with wonder upon her strikingly petite stature, her glamorous, smoothly sun-browned complexion, and every little exotic movement or sound she made. In light of Wendara’s appeal, finding a young, unattached and overeager man with which to spend a night, or a week or month of nights (though rarely longer), came all too easily to her.

It is perhaps something of a miracle that only one of these thoughtless unions resulted in a child. Wendara did not view the matter as such. She viewed it, initially, as a minor inconvenience. Not long after the child was born, she modified her opinion, re-labeling it a major inconvenience. For the child was shaping up to have even less use for any sort of stillness than his mother and all the rest of her nomadic islander band combined.

She named her son Jackillen – a careless name meaning “child of a man”, for just another man was all his father had been to her; indeed, there was even a period of time when she had been unsure which specific man it was. But all uncertainty vanished as Jackillen began to move. He learned early – crawling over and under and through and around every obstacle with ease at a very few months. And by his first year, he was running, bypassing toddling and even walking altogether. Jackillen never walked; he ran, he sprang, he cavorted, he danced; he was one place, then he was another, but he could not be bothered to walk there. Wendara knew, then, who the father must have been – he who, too, seemed either above or incapable of merely walking. And she questioned the name she had given her son, who could be after all the child of no ordinary man.

But there was nothing to be done about it now. Jackillen he had been named, and Jackillen he was, whether the bearer was contented with the name or not. And he was most certainly not.

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More of the pre-“Song Caster” tale to come as Fairy Tale Fortnight continues!

And two things to remember: One, I’ve got a giveaway going on! Check out my feature on A Backwards Story and/or my interview with The Book Rat and enter to win a free paperback of Book Three of The Wilderhark Tales, “The Seventh Spell!

Two, I’m looking for advance readers! If you’re willing to read and review “The Song Caster (Book Four of The Wilderhark Tales)” ahead of its scheduled release on June 24th, drop me a line via my contact page and I’ll send you a PDF of the tale in all its practically completed glory!

Song Caster Cover, front

In Which Will Takes a Few Tales for a Spin

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“Welcome, one and all,” says Will Scarlet, with a broad smile and a bow, “to Will & Allyn’s Interactive Theatre!”

“Every Saturday,” says Allyn-a-Dale, “Will and I and our friends from the story world of ‘The Outlaws of Avalon’ trilogy—”

“Coming one of these days to a book retailer near you!”

“—Will take at random two of the suggestions gleaned from you, our gentle audience, and incorporate them into… well, the sort of tomfoolery Will calls entertainment.”

“So make yourselves comfortable,” says Will, “as we now present to you: ‘Spinning Straw to Scarlet-Gold’!”

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[The curtain rises on a spotlit Will Scarlet reclining on a couch, a colorful little paperback in hand. From behind the couch, Allyn-a-Dale pops up and leans over to read over Will’s shoulder.]

Allyn: “The Seventh Spell”, is it? Did our author put you up to that?

Will: Believe it not, Allyn, I am just barely enough of an intellectual that I do sometimes enjoy reading for my own pleasure. …Or when I’m scrambling for inspiration for an Interactive Theatre skit. How would you feel about putting together a fairytale mash-up?

Allyn: Which tales do you mean to combine?

Will [shooting upright ]: All of them!

Allyn: All?!

Will: Well, a lot of them, anyway. How hard can it be? [waves “The Seventh Spell” ] Danielle managed it, didn’t she? And she’s not half as clever as we are! Here, picture this: It all starts with a woman who lives next door to a dangerous neighbor…

[Further across the stage, a light goes up on Marion crouched in a set decked out with topsoil, rows of little plants climbing up stakes, and other such touches evocative of a vegetable garden. Her attention on stuffing produce into the oversized pockets of her cardigan sweater, she doesn’t appear to notice Little John, entering from the wings in an alarming getup of fur and horns, until his shadow falls across her.]

Little John/Beast [growling ]: Who dares steal from my garden?

[Marion jumps up with a startled cry, clutching what gives the appearance of a several-months’-pregnant belly.]

Marion/Woman: Mercy, fearsome beast! I’ve just had this insane craving for zucchini for weeks, and—

Allyn: Wait. Zucchini?

Will: Yup. ‘Cause, it being the Beast’s garden, you’d think it would be a rose, or her being an expectant mother, you’d think it would be some Rapunzel-ish salad greens. But nope, it’s zucchini. Plot twist!

Allyn: That’s not much of a plot twist.

Will: Well, you can’t say you saw it coming! So anyway, the woman and Beast come to an agreement, neither party suspecting that the other’s got a trick up their sleeve.

Little John/Beast [aside to the audience ]: That foolish woman thinks she’s got a hope of winning her child back from me. Little does she know, my game’s conditions are impossible. No mortal creature has ever guessed my name!

Marion/Woman [aside to the audience ]: If that beast thinks I’m sticking around to play his stupid game, he’s got another think coming. Zucchini’s not the only little treasure I’ve stolen from his garden. [raises a small, round object to shine in the light ] With this magic bean, my child and I shall escape to the cloudlands, beyond his reach forever!

[The light over the garden goes dark.]

Allyn [eyebrows raised in interest ]: All right, now this is beginning to sound interesting. What happens next?

Will: Well, the woman makes her escape up the beanstalk, and in due time, the child is born. Unfortunately, her sanctuary isn’t as safe as supposed.

[The darkened light returns, the garden scene replaced with a white fluffy rug and a backdrop of endless sky blue. The flurry of flapping wings and inhuman screeches fill the sound system.]

Marion/Woman [clutching the infant-shaped bundle swaddled in her sweater ]: Oh, no! The beast has found us out, and sent his gang of flying monkey hit men to claim my baby! I must smuggle my dear one out of the country. But how?!

[The light and sound of the cloudlands set dims.]

Will: Hmm, how indeed? I’m torn. Should she entrust her baby to the keeping of the fairies of Neverland, or hide him in a basket and hope Red Riding Hood doesn’t get stopped by the wolves of the border patrol?

Allyn: It sounds like you need more time to get your plot sorted out, Will.

Will: Meh. Maybe. I’m onto something though, right? Look out, Wilderhark Tales?

Allyn [smiling ]: You know I’ll never vote against Wilderhark while Father’s there. But stay inspired, Will. There may yet be some gold to be spun from your grasped-at straws.

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“Aaaand SCENE!” says Will.

“Thank you to audience members Tirzah Duncan and Miranda McNeff,” says Allyn, “for providing us with the inspiration ‘a sweater’ and ‘zucchini’.”

“If you enjoyed yourselves,” Will says, “(or if you didn’t, but you totally did, right?), don’t forget to leave suggestions for future productions in the comments! Words or phrases we’ve got to include, a prop to use, a prompt to run with… anything goes! Until next week, friends! Will and Allyn out!”